Insha’Allah, No, Maybe So
by Rhonda Roumani and Nadia Roumani; Illustrated by Olivia Aserr
Holiday House/Penguin Random House
A sweet and playful picture book about a common Arabic word for life’s uncertainties that will ring true for all families.
Ranya wants to go to the park. “Insha’Allah,” her mom tells her.
But doesn’t that just mean no? Ranya’s mom says “Insha’Allah” when Ranya asks to make cookies. She says it when Ranya wants to sleep over at Jayda’s house. She says it when Ranya begs to go to Disneyland.
This might sound familiar to parents and caregivers . . . It’s hard to know what to say when you can’t promise anything! Sometimes grown-ups say “Maybe” or “We’ll see.” And in millions of Arab and Muslim homes around the world, families use the phrase “Insha’Allah” when talking about the future.
So, what does “Insha’Allah” really mean? In this warmly illustrated picture book, Ranya and her mom tackle the meaning of the powerful phrase and ponder the best way to talk about their hopes and dreams—and maybe, sometimes, the things they want to put off. (Like cleaning up toys!)
Cozy art and joyful, loving characters make this a perfect family read aloud.
Cover image and summary via Edelweiss
Fatima Tate Takes the Cake
K-Gr 2–Amira feels conflicted when she realizes that school picture day is the same day as Eid. Spotting the crescent moon marking the end of Ramadan, Amira and her brother Ziyad know it means that there will be prayers, celebrations, and skipping school the following day. Amira’s mom decorates the girl’s hands with mehndi. Amira and Ziyad prepare goody bags for the kids at the masjid, while her mother irons Amira’s Eid outfit, a beautiful blue and gold mirrored shalwar kameez. 
Though Eid is full of the joy and community she loves, missing picture day puts a damper on the celebration, until Amira thinks of a possible solution. Deceptively simple, Faruqi’s narrative gently addresses the impact that the celebration of non-dominant cultures and holidays has on children and choices families make to uphold traditions. Moreover, Amira’s conflicted feelings and insistence on finding a solution create opportunities for dialogue about the importance of acknowledging spaces that matter to children, especially while families try to foster positive identity. Azim’s illustrations are fun and colorful, with tiny details reflecting the family’s personality, while the people attending Eid celebrations at Amira’s masjid are racially and culturally diverse, with varied skin tones, body types, and expressions of fashion and style.
Back matter features an author’s note and glossary of terms, referencing Urdu and Amira and her family’s Pakistani roots.