Mama Shamsi at the Bazaar
by Mojdeh Hassani and Samira Iravani
illustrated by Maya Fidawi
Dial Books/Penguin Random House 
It’s market day for Samira and her grandma! The bazaar is crowded, but this sweet pair knows how to stick together in this silly picture book set in Iran.
Mama Shamsi is off to the market, and today, Samira gets to go with her! Samira loves spending time with her grandmother, and she especially loves her chador, which Mama Shamsi wraps around herself every time they leave the house. As the pair get closer and closer to the market, Samira is worried about getting lost in the crowded streets of Tehran, until she has an idea: She can hide under her grandmother’s chador. But when Mama Shamsi says no—if Samira hides under there, the pair of them will look like a strange animal! In imaginary spreads, Samira and Mama Shamsi turn into a donkey, a giraffe, a kangaroo, a turtle—hiding isn’t working at all. But maybe there’s some other way for Samira to stay safe with her grandma in the crowded market.
Cover image and summary via Edelweiss
I am Malala Yousafzai
Huda F Are You? by Huda Fahmy
When a mishap wrecks the sofreh haft-seen, seven symbolic items whose names start with the 15th letter in the Persian alphabet, Kian must find items to replace them in time for his grandparents’ Nowruz visit. Kian and his family are preparing to celebrate Nowruz, the Persian New Year marking the start of spring. Maman explains the symbolism behind the seven (haft) items starting with the Farsi letter “seen” on the sofreh (table-setting) haft-seen. Items like sumac for sunshine, seer (garlic) for health, and serkeh (vinegar) for patience represent what the family hopes will bring them happiness in the new year. But trying to add Sonny, the family cat, to the haft-seen leads to its ruin. Faidhi’s illustrations add dynamic color and textural and cultural richness to the narrative; the images feel timeless and convey a feeling of holiday nostalgia. Khorram’s end note mentions other items of renewal frequently placed on a haft-seen that are depicted on the end papers. Though Kian’s khanumjan (a respectful term for grandmother) wears a headscarf, not uncommon among older Persian women, there are no specific indicators that the family is Muslim (and in fact, Nowruz has Zoroastrian origins), so Persian readers of varying backgrounds religious or otherwise will be able to see themselves in the narrative.