Sister Friend by Jamilah Thompkins-Bigelow, Illustrated By Shahrzad Maydani

Sister Friend
by Jamilah Thompkins-Bigelow, Illustrated By Shahrzad Maydani
Abrams

Perfect for fans of The Day You Begin and Evelyn Del Rey Is Moving Away, author Jamilah Thompkins-Bigelow and illustrator Shahrzad Maydani’s Sister Friend is a heartwarming new picture book celebrating the unique joy of cultivating friendships within your cultural community.

Ameena feels invisible. It’s been that way since she started at her new school. But now there is another new girl in class. Ameena sees her brownness and her hijab, even though the other kids do not.

Ameena wants to be her friend, but she can’t seem to find the right words or do the right things. Until one day, they find them together: “Assalamu Alaikum, Sister. Welcome.”

Cover image and summary via Abrams

Posted in Books, Reviews

Review: In My Mosque

In My Mosque

Yuksel, M. O. In My Mosque. Illus. by Hatem Aly. 2021. 40p. Harpercollins/Harper, $17.99 (9780062978707). Pre-S-Gr 3.

What is a mosque? What does it looks like inside and what do people do there? This beautiful book transports readers on a magical journey inside famous mosques around the world, various Islamic practices, diverse communities, and cultural elements they encompass. Evoking feelings of immense joy and peace, this book is an open and warm invitation to readers and the world to come in and explore this important space and the religion that is practiced by 1.8 billion Muslims worldwide.

Gorgeous endpapers feature birds, patterned in colorful geometric-shapes set against a black background. Each spread pairs elements of Islamic practice and worship in famous mosques. Colors are vibrant and celebratory of everyday scenes captured from the joyful perspective of Muslim children. Paired with simple lyrical text that describes the people, practices, activities, and surro

undings the way a child would notice them. For instance, before entering the mosque worshippers first remove their shoes, which are described is being lined up “like colorful beads” while the opposite page describes the sensation of wiggling and sinking his toes into “the silky-soft carpet.”, Children share other observations and sensations, and readers are immersed into their feelings of gentle comfort in listening to the recitations and the clicking sound of tasbih (prayer beads), the cooing of pigeons outside the mosque, the warm hugs of loving family members, and the smells of delicious food.

Children are depicted in poses of relaxation, glancing out the window, distracted in prayers, shushing each other when they are not supposed to be talking, and running and playing in the spaces. Adults are shown as gentle and patient, and the mosque is presented as a place where children learn religious culture and heritage and grow up feeling safe and loved by their community.

Children are also active participants in their community, showing small acts of kindness, such as helping elderly or disabled worshippers, or passing out prayer beads, mats, and collecting and distributing food. One child is also seen in active prayer, finishing salat by saying “peace and blessings be upon you/As-salaamu alaykum wa rahmatullahi wa barakatuh” (in Arabic). The text in this particular spread reads, “In my mosque we end our prayers by greeting the angels on our shoulders who watch over us day and night. My angels cheer me on as I whisper heartfelt wishes and hope they all come true.” Though the wording of duas solely as wishes does not quite encompass the entirety of the meaning, framed in the context of a child’s understanding, it is sufficient.

 

Readers see that the mosque is not only a place of worship, but a place of community and one where the community also builds itself and contributes to larger community needs. Commonality with other faiths is also emphasized. It is a gathering place for people to find each other, refresh their faith and listen to uplifting sermons, “in my mosque, we pray for peace, love, and joy…just like my friends who worship in churches, temples, and synagogues.”

The illustrations are diverse with worshippers reflecting different countries and set against the backdrop of architecture and geometric mosaic patterns specific to each region. Arabic style calligraphy is incorporated throughout the book. The book mentioned that Aly’s breathtaking  illustrations were created by using digital rendering and scans of ink washes, textures, and patterns

While the book’s backmatter includes a note about mosques, a glossary, and author’s note, and a selection of mosques around the world, it does not specify which mosque is which in the book itself, though readers with background knowledge will be able to identify many of them. However, this information is available on the author’s website and includes an annotation with other information about each specific mosque (including the Diyanet Center in Lanham, Maryland), and also includes discussion questions and activitie
s for families and educators.

An awe-inspiring book that shows parallels between different religious places of worship, and highlights both universality of faiths and uniqueness of Islam and its places of worship.