Tagging Freedom by Rhonda Roumani
Union Square & Co.
Out of the revolutions across the Arab world comes this inspirational story of hope, freedom, and belonging, perfect for fans of Other Words for Home and A Good Kind of Trouble.
Kareem Haddad of Damascus, Syria, never dreamed of becoming a graffiti artist. But when a group of boys from another town tag subversive slogans outside their school, and another boy is killed while in custody, Kareem and his friends are inspired to start secretly tag messages of freedom around their city.
Meanwhile, in the United States, his cousin, Samira, has been trying to make her own mark. Anxious to fit in at school, she joins the Spirit Squad where her natural artistic ability attracts the attention of the popular leader. Then Kareem is sent to live with Sam’s family, and their worlds collide. As graffitied messages appear around town and all eyes turn to Kareem, Sam must make a choice: does she shy away to protect her new social status, or does she stand with her cousin?
Informed by her time as a journalist, author Rhonda Roumani’s Tagging Freedom is a thoughtful look at the intersection between art and activism, infused with rich details and a realistic portrayal of how war affects and inspires children, similar to middle grade books for middle schoolers by Aisha Saeed, The Night Diary by Veera Hiranandi, or Refugee by Alan Gratz.
Wild Poppies
by Haya Saleh, translated by Marcia Lynx Qualey
Levine Querido/Chronicle
Two brothers fight to reunite amidst the turmoil of the Syrian War.
Since the passing of their father, Oscar has tried—and in his little brother Sufyan’s eyes, failed—to be the man of his family of Syrian refugees. As Oscar waits in line for rations, longing for the books he left behind when his family fled their home, Sufyan explores more nontraditional methods to provide for his family. Ignoring his brother’s warnings, Sufyan gets more and more involved with a group that provides him with big rewards for doing seemingly inconsequential tasks.
When the group abruptly gets more intense—taking Sufyan and other boys away from their families, teaching them how to shoot guns—Sufyan realizes his brother is right. But is it too late for Sufyan to get out of this?
It’s left to the bookish Oscar to rescue his brother and reunite his family. He will have to take charge and be brave in ways he has never dared to before.
Review: Salma the Syrian Chef by Danny Ramadan. Illus. by Anna Bron. 40 pp. Annick Press. Released 3/10/2020. Tr $21.95. ISBN 978-1773213750. Preschool to Grade 3.
Salma and her mother are Syrian Muslim refugees living at the Welcome Center for new immigrants in Vancouver, Canada. They both miss home and hope that one day soon Salma’s papa will be able to join them. Mama’s long days are filled with English classes and job interviews. Her fatigue and sadness, juxtaposed to Salma’s youthful joy and hope are viscerally heart-wrenching and the reader feels deeply for Salma in her efforts to make her Mama smile, let alone elicit a happy laugh. Salma attempts a joke but Mama only responds with a “sad smile, full of love, but empty of joy.”
Encouraged by Nancy, assumed to be a Welcome Center employee or coordinator, Salma draws back on her good memories. Though Salma realizes that she can’t bring her Papa to be with them sooner, or rebuild their own home in Damascus, there is something she can do to make her Mama happy.
Salma wants to make her mother’s favorite dish, foul shami, but doesn’t have the recipe. Jad, the Jordanian translator helps find a recipe for her, but Salma realizes that she doesn’t know the English names of the vegetables she will need. Creatively, she finds a way to get around the language barrier by drawing pictures of the ingredients she needs. With the encouragement and help of other friends at the Welcome Center—Amir and Malek, a couple from Lebanon; Granny Donya, an older Iranian woman who wears a headscarf, and Ayesha, wearing a pink headscarf and jeans, Salma gets most of the ingredients for the recipe. It’s implied that Ayesha is Somali as she brings Salma home-baked Somalian sweets.
Ramadan captures Salma’s range of emotions and seamlessly weaves in bits of information about the other kids at the Welcome Center through their interactions with Salma—i.e. Ayman misses kushari; Riya misses the masala dosas her mama made in India; and Evan, who recently arrived from Venezuela, misses arepas— highlighting the commonality of the refugee and immigrant experience, and the complexity of feelings of loss, adjustment, and belonging. The interactions between the new immigrants give off feelings of familial warmth, where in moments of frustration Salma is encouraged to see that this home is “beautiful in its own ways.” These interactions are also intentional and powerful; through them Salma’s agency is highlighted while giving fortification and joy to each individual. Bron’s bright, detailed illustrations enrich the text, through character movement and evoking palpable emotions. Bron uses Syrian-inspired geometric patterns to frame illustrations adding cultural depth to each spread. The resulting work is a poignant and universal tale of finding home and belonging, emphasizing the importance of people and community.