Zain’s Super Friday by Hena Khan ; illustrated by Nez Riaz

Main_zains-super-friday-cover_hires_largeZain’s Super Friday
by Hena Khan; illustrated by Nez Riaz
Lee & Low

Join Zain and his dad on a special visit to their local mosque to attend jumu’ah prayers in this heartwarming picture book from the author of Under My Hijab.

Early Friday morning, Zain leaps out of bed ready to save the world from alien invaders! But his dad has other plans for Zain on this special day of the week. Dad takes Zain to the mosque and guides him through his first jumu’ah prayers. But Zain’s quest for a superhero adventure leads to supersize distractions. Can Zain rein in his powerful impulses and appreciate this special experience with his dad and community?

With spirited text by award-winning author Hena Khan and dynamic illustrations by artist Nez Riaz, Zain’s Super Friday is a celebration of Muslim traditions, imagination, and the joy of community.

Cover image and summary via Lee & Low

Journey of the Midnight Sun by Shazia Afzal

Journey of the Midnight Sun
by Shazia Afzal, illustrated by Aliya Ghare
Orca Books Publishers

A beautiful picture book based on the true story of the Midnight Sun Mosque that traveled 4,000 kilometers across Canada to become one of the most northern mosques in the Arctic Circle.

This is the true story of the journey of the Midnight Sun Mosque.

In 2010 a Winnipeg-based charity raised funds to build and ship a mosque to Inuvik, one of the most northern towns in Canada’s Arctic. A small but growing Muslim community there had been using a cramped trailer for their services, but there just wasn’t enough space. The mosque travelled over 4,000 kilometers on a journey fraught with poor weather, incomplete bridges, narrow roads, low traffic wires and a deadline to get on the last barge heading up the Mackenzie River before the first winter freeze. But it made it just in time and is now one of the most northern mosques in the world.

This beautiful picture book reminds us that the collective dream of fostering a multicultural and tolerant Canada exists and that people of all backgrounds will come together to build bridges and overcome obstacles for the greater good of their neighbors.

We Worship Here: Muslim Mosque by Angela Wood

We Worship Here: Muslim Mosque
by Angela Wood, illustrated by Emma Trithart
Franklin Watts / Hachette (UK/Australia)

What is a mosque for? How much do Muslims pray? What is the Ka’aba? All these questions and more are explored in this first introduction to the religion of Islam.

The We Worship Here series introduces children aged 6+ to the main religions of the world. Each book features information about beliefs, values and the ways people worship. The books are clearly and sensitively written and the text is supported with beautiful illustrations.

Cover image and summary via Edelweiss

Posted in Books, Reviews

Review: In My Mosque

In My Mosque

Yuksel, M. O. In My Mosque. Illus. by Hatem Aly. 2021. 40p. Harpercollins/Harper, $17.99 (9780062978707). Pre-S-Gr 3.

What is a mosque? What does it looks like inside and what do people do there? This beautiful book transports readers on a magical journey inside famous mosques around the world, various Islamic practices, diverse communities, and cultural elements they encompass. Evoking feelings of immense joy and peace, this book is an open and warm invitation to readers and the world to come in and explore this important space and the religion that is practiced by 1.8 billion Muslims worldwide.

Gorgeous endpapers feature birds, patterned in colorful geometric-shapes set against a black background. Each spread pairs elements of Islamic practice and worship in famous mosques. Colors are vibrant and celebratory of everyday scenes captured from the joyful perspective of Muslim children. Paired with simple lyrical text that describes the people, practices, activities, and surro

undings the way a child would notice them. For instance, before entering the mosque worshippers first remove their shoes, which are described is being lined up “like colorful beads” while the opposite page describes the sensation of wiggling and sinking his toes into “the silky-soft carpet.”, Children share other observations and sensations, and readers are immersed into their feelings of gentle comfort in listening to the recitations and the clicking sound of tasbih (prayer beads), the cooing of pigeons outside the mosque, the warm hugs of loving family members, and the smells of delicious food.

Children are depicted in poses of relaxation, glancing out the window, distracted in prayers, shushing each other when they are not supposed to be talking, and running and playing in the spaces. Adults are shown as gentle and patient, and the mosque is presented as a place where children learn religious culture and heritage and grow up feeling safe and loved by their community.

Children are also active participants in their community, showing small acts of kindness, such as helping elderly or disabled worshippers, or passing out prayer beads, mats, and collecting and distributing food. One child is also seen in active prayer, finishing salat by saying “peace and blessings be upon you/As-salaamu alaykum wa rahmatullahi wa barakatuh” (in Arabic). The text in this particular spread reads, “In my mosque we end our prayers by greeting the angels on our shoulders who watch over us day and night. My angels cheer me on as I whisper heartfelt wishes and hope they all come true.” Though the wording of duas solely as wishes does not quite encompass the entirety of the meaning, framed in the context of a child’s understanding, it is sufficient.

 

Readers see that the mosque is not only a place of worship, but a place of community and one where the community also builds itself and contributes to larger community needs. Commonality with other faiths is also emphasized. It is a gathering place for people to find each other, refresh their faith and listen to uplifting sermons, “in my mosque, we pray for peace, love, and joy…just like my friends who worship in churches, temples, and synagogues.”

The illustrations are diverse with worshippers reflecting different countries and set against the backdrop of architecture and geometric mosaic patterns specific to each region. Arabic style calligraphy is incorporated throughout the book. The book mentioned that Aly’s breathtaking  illustrations were created by using digital rendering and scans of ink washes, textures, and patterns

While the book’s backmatter includes a note about mosques, a glossary, and author’s note, and a selection of mosques around the world, it does not specify which mosque is which in the book itself, though readers with background knowledge will be able to identify many of them. However, this information is available on the author’s website and includes an annotation with other information about each specific mosque (including the Diyanet Center in Lanham, Maryland), and also includes discussion questions and activitie
s for families and educators.

An awe-inspiring book that shows parallels between different religious places of worship, and highlights both universality of faiths and uniqueness of Islam and its places of worship.