Posted in Books, Reviews

Review: ParaNorthern: And the Chaos Bunny A-hop-calypse by Stephanie Cooke and Mari Costa

Cooke, Stephanie and Costa, Mari. ParaNorthern: And the Chaos Bunny A-hop-calypse, July 2021. 240pp. Etch/Clarion Books, $19.99. (9780358168997). Grades 3 – 7.

Stephanie Cooke’s ParaNorthern (illustrated by Mari Costa) is a humorous and heartfelt graphic novel fit for any age group. When young witch Abby Morgan accidentally opens a portal in the magical realm of North Haven unleashing a horde of chaos bunnies, her initial instinct is to keep the problem to herself. When she realizes that these destructive hares are too big of a job to take care of on her own she must look beyond her worries and accept the help of her family and friends.

With a consistent theme of adolescent independence and relying on others, Abby’s struggles can be relatable to many middle grade readers. Though first resistant to receive help, Abby’s friends–werewolf Gita, pumpkinhead Silas, and ghost Hannah–support her through her fears to help her find the confidence in her witch powers. Costa’s engaging illustrations and palette of fall-like hues of orange, purple, and red complement the dialogue and flow of the narrative. With no real introduction to the characters or setting, the novel reads like a second volume. Readers may find it necessary to read the first volume in order to have foundational knowledge of the world.

The characters of Paranorthern are quite diverse, ethnically and by paranormal standards. Many of the characters appear to have brown skin. Gita is a werewolf and presents as female, and there seems to be a mutual crush between her and Abby. Silas is a pumpkinhead boy trying to convince the other paranormal creatures to stop ingesting pumpkins. Hannah is an undead ghost from another dimension. In a realistic portrayal of the observance of hijab, Hannah wears a headscarf whenever she is outside her own home and does not wear it inside her house. However, though Hannah’s hijab is normalized in illustrations and not constantly called out, she is never explicitly named as Muslim. Throughout the book, Hannah mentions how she and her family are ghosts from another dimension, Hannah is seen chatting with her grandmother through the computer, and magically she needs a charm to be physically present in North Haven’s dimension. These elements hint that Hannah may be part of a diaspora community, living away from her home dimension. But though this parallels real life SWANA diaspora communities in North American or European countries, Hannah’s ethnicity is also never specified, though usage of language implies that they are Arab but terminology is incorrectly used.

With heartwarming, fun, and laugh-out-loud moments, Paranorthern celebrates the power of  friendship in a paranormal world. Readers will cheer for Abby and her friends as they work together to return the Chaos bunnies back to their realm.

Huda F Are You? by Huda Fahmy

Huda F Are You? by Huda FahmyHuda F Are You? by Huda Fahmy
Penguin Random House/Dial Books

Cover image and summary via Penguin Random House
Posted in Books, Reviews

Review: The Power of Style

The Power of Style book cover

Allaire, Christian. The Power of Style, Apr. 2021. 96p. Annick Press, $19.95. (9781773214900). Grades 7-12

Self-described fashion-obsessed author of The Power of Style, Christian Allaire, presents fashion through a lens of inclusion.  Allaire, Indigenous Ojibwe from the Nipissing First Nation Reserve in Ontario, never saw anyone that looked like him in the mainstream fashion spaces. Now as fashion and style writer for Vogue, he hopes to change that. His book is a celebration of style and identity, cultural activism and empowerment, making space for those that are historically underrepresented and erased.

Colorful and bold, young adult readers can explore and learn about many different expressions of identity and fashion, and image presentations associated with them. It is divided into six sections: Sewing Traditions (focusing on ribbon work by Indigenous designers from several nations), Hair (especially in Black and Indigenous communities as an act of love and resistance), Cosplay and Body Positivity, Headcoverings, High Heels (for men, and in queer fashion), and Makeup. Throughout each chapter Allaire provides space for contributors to write their own thoughts while giving readers more context to the subject matter via definitions, infographics, and photographs. The sections are simple, but do well as a first snapshot or introduction to these topics. 

In the fourth section titled Head Strong, Allaire discusses Muslim women and the hijab (or headscarf). The definitions for hijab and modest fashion are presented on the same page early on in the section. This gives readers an idea of how these concepts intersect while also showing that modest fashion is a concept that falls outside of religion, which is a pretty important distinction to have in a book like this. Head Strong features two main Muslim women who identify as hijabi. The first is Haute Hijab designer and owner, Melanie Elturk. The second is Leah Vernon, fashion influencer, model, and author of Unashamed: Musings of a Fat, Black Muslim. Allaire includes a discussion about hijab on the runway as well as in professional sports. This section includes a diversity of images and contributors of Muslim women; there is no one image or fashion that is highlighted as to what “hijabi” looks like. Also, when discussing performance hijabs, instead of naming large corporations, Allaire highlights a small Muslim owned brand. This chapter is a great introduction to hijabi fashion and frames a moment for Muslims and non-Muslims alike to learn about its different aspects and expressions.Fashion is quite personal and connects many aspects of a person’s identity. Allaire creates the opportunity for minoritized groups to see the fashion that embraces identity and cultural expressions within a book, while opening the metaphorical door for readers to learn about other fashions and identities. The Power of Style is a powerful and highly anticipated release that should be in every young adult nonfiction collection.

 

 

Barakah Beats by Maleeha Siddiqui

Barakah Beats by Maleeha Siddiqui
Scholastic Press

Barakah Beats

Twelve-year-old Nimra Sharif has spent her whole life in Islamic school, but her grandparents – who have never quite seen eye-to-eye with her parents on how to raise her – think it’s time she goes to “real school.” Nimra’s nervous, but as long as she has Jenna, her best friend who already goes to public school, plus with her trusty sketchbooks, she figures she can take on just about anything.

But middle school sucks. The teachers are mean, the schedule is confusing, and Jenna starts giving hijab-wearing Nimra the cold shoulder around the other kids. Desperate to fit in and get back in Jenna’s good graces, Nimra accepts an unlikely invitation to join the school’s popular 8th-grade boy band, Barakah Beats. The only problem is, Nimra was taught that music isn’t allowed in Islam, and she’s pretty sure her parents would be disappointed if they found out. So she devises a simple plan: join the band, win Jenna back, then quietly drop out before her parents find out.

But dropping out of the band proves harder than expected. Not only is her plan to get Jenna back working, but Nimra really likes hanging out with the band—they value her contributions and respect how important her faith is to her. Then Barakah Beats signs up for a talent show to benefit refugees, and Nimra’s lies start to unravel. With the show only a few weeks away and Jenna’ friendship hanging in the balance, Nimra has to decide if winning her friend back is worth giving up everything—and everyone—she cares about.

Barakah Beats is a middle-grade contemporary novel that will appeal to fans of Hena Khan’s Amina’s Voice and Celia C. Pérez’s The First Rule of Punk.

Cover image and summary via Goodreads