Posted in Books, Reviews

Review: Little Seeds of Promise by Sana Rafi

In preparation for an author interview with Sana Rafi, both Noureen and Amna read and reviewed Little Seeds of Promise. The following are their takes on this lovely picture book.

Review: Little Seeds of Promise

Rafi, Sana. Little Seeds of Promise. Illus. by Renia Metallinou. 2021. 48p. The Innovation Press, $15.99. (ISBN‎ 9781943147939). Grades K-3.

Amna’s Review

In this memorable and beautifully illustrated title by Sana Rafi, we see how Maya, the main character adjusts to life as an immigrant. The transition to a new country and the challenges of meeting people, is illustrated by her constant awareness that she is now ‘here,’ as opposed to ‘there,’ where she had a strong sense of security. She misses her grandmother, Nani, and the feeling of being connected, loved and safe. Her Nani gives her seeds before she leaves, and tells her to “bloom where you are planted,” which is something very unusual to Maya, who feels that her new ground in ‘here’ is as cold and unfriendly as the people in her school.

Although never specifically stated, she seems to be Muslim as there are mentions of the call to prayer, the Adhaan, the greeting of Salaam, and praying in the flowers. She also seems to have moved to a multiracial and multiethnic country as seen in the diversity of the other children in her class that have different shades of hair and skin.

The illustrations are especially stunning and the colour palette of blues and pinks rotating between each page really help to tie all the elements of the story together. The contrast between the two countries is even more evident in the vibrant colours shown in Maya’s home country as opposed to the greys and blacks in Maya’s new home. Even Maya’s wardrobe, once so colourful, is now just a sea of gray and blue. We relate even more with Maya as she fondly remembers her grandmother’s wise words of letting herself stretch, grow, and accept some kindness. The message, of learning to accept oneself and accepting others, is an important one and is well explained in this story. It may work best for ages 4-8, as a shared story or even as a read-aloud.

Noureen’s Review

New immigrant Maya, struggles to adapt to a new place and make new friends at school in this sweet intergenerational and universally relatable story. Simple, yet powerful text, and beautiful illustrations have readers empathize with Maya’s sadness from the very first page. The world around her feels cold, unfriendly, and lonely. At the heart of the story is the bond between Maya and her Nani (maternal grandmother). When Maya left her country of origin, her grandma gave her special seeds, and advice to “bloom where you are planted.” The seeds are analogous for new life, growth, and embracing change. Ultimately, they remind Maya that with warmth, care, and patience, new life will sprout even from hard and stubborn soil. The memories of her Nani helps her stay patient and let go of what is holding her back from blooming in her own way. 

The seed analogy is possibly an overreach for very young readers (the targeted age is listed as 3-7) and may be better understood conceptually with elementary students or require an adult to more fully explain how successfully planting seeds in hard soil is analogous to coming out one’s comfort zone and opening up to new experiences.

The book is rich with cultural and religious references, such as waking up to the adhan (call to prayer), people greeting each other by saying “As-salaam-Alaikum,” praying among flowers, playing in the monsoon rain, and the inclusion of a night watchman.

This reference brought back fond memories from my own childhood, when the night watchman on our street would call out with an assuring voice, “Jagtaay Raho” (stay alert), and we could sleep peacefully knowing he would stand sentry through the night. These cultural references offer the opportunity for readers, particularly South Asian readers of the current generation, to learn and connect with parents and grandparents about these cultural references, some evergreen and others, like night watchmen that are relics of the past. 

Another tie, both universal and culturally specific, are the memories of grandparents. Maya’s sweet Nani, with “a thousand wrinkles on her face” always smells like jasmine flowers. The jasmine is the national flower of Pakistan, and many households have a jasmine plant. Often worn as an adornment by married women in older generations and special occasions, like weddings, it so naturally fits in with the depiction of Maya’s grandmother and the nostalgia of the story’s setting.

The illustrations are intricate and detailed, further enriching the story, and patterns on the clothing, colors, and jewelry are a beautiful representation of elements commonly seen across South Asia. Additionally, the depiction of Maya without hijab is refreshing. Despite hijab being a religious marker that is most associated with adult women and Muslim girls that are post-pubescent, it is often shown in children’s literature on pre-pubescent girls as a way to emphasize the ethnicity, religion, or develop the story line when it is not always in a religious setting or age appropriate.

Verdict: Filled with hope and tenderness, this book will resonate with immigrant children and children facing transitions of any kind, and create opportunities for connection and empathy. It gently encourages and ensures readers that adjustments and acclimation to new environments comes with time, patience, and loving support.   

Posted in Books, Reviews

Review: The Arabic Quilt by Aya Khalil

   Review: The Arabic Quilt: An Immigrant Story

Khalil, Aya. The Arabic Quilt: An Immigrant Story. Illus. by Anait Semirdzhyan. 2020. 36p. Tilbury House, $17.95. (9780884487548). K-Gr 3.

Egyptian American Kanzi and her family have just moved to a new town where Kanzi will be starting third grade. Her Baba tells her he’s packed her favorite kofta sandwich for lunch, but Kanzi secretly wishes he had made peanut butter and jelly, because she doesn’t want to be “different.” When Kanzi forgets her lunch, her Mama brings it to school and speaks to her in Arabic, calling her “habibti.” Molly, one of Kanzi’s classmates, overhears and mocks both of them while another classmate laughs along. When Mrs. Haugen, Kanzi’s teacher, discovers her new student in tears, she tells Kanzi that “being bilingual is beautiful” and that she shouldn’t let anyone make her feel ashamed. Mrs. Haugen’s response models and reinforces the importance of educators recognizing and affirming student identity. Despite this positive message, Kanzi is still anxious about fitting in, and asks her mother to pack her a turkey sandwich for lunch the next day, rather than the leftover shurbet ‘ads.

That evening, wrapped in her Teita’s quilt, Kanzi writes a poem that inspires a classroom quilt project, with her teacher, Mrs. Haugen facilitating a discussion of English words that come from Arabic, language appreciation, and acceptance. Kanzi and her mother write student names in Arabic to add to a classroom quilt, and Kanzi finds pride and love in the languages she speaks.

Khalil’s words include intentional and specific details that convey Egyptian culture, from food to music. Mrs. Haugen’s language lesson validates Kanzi’s own background knowledge of Arabic and fosters a heartwarming pride. Particularly moving is a text where Kanzi watches her mother in class and thinks “how beautiful she looks.” In one of the last spreads, Kanzi sees another quilt across the hall, and meets Kura, who helped her classmates write their names in Japanese (Katakana). In the final scene, Kanzi writes a poem for her parents, thanking them for always encouraging her to be proud of speaking a different language. 

Muted, gentle illustrations and Semirdzhyan’s use of white space centers the focus on Kanzi, the students, and her family. Small details such as patterns on dishes, a tablecloth, and Kanzi’s father’s vest, and the newspaper (in Arabic) he is reading on Egyptian News, richly convey elements of Egyptian culture. Teita’s quilt itself is colorful and bright and depicts feluccas on the Nile and there is a photograph of Teita sewing the quilt. The family also has photos of protestors and a tennis player that appears to be Serena Williams in their home. Kanzi’s father appears to be a Black Arab Egyptian, while her mother is light-skinned, Kanzi and her brother Zacharia also have brown skin. A glossary of Egyptian Arabic terms is included.

Little Seeds of Promise by Sana Rafi

Little Seeds of Promise by Sana Rafi
Illustrated by Renia Metallinou
The Innovation Press

A wonderful picture book from an award-winning publisher that explores identity, the patience of growing things and finding a home in a new place, the connection of scent to memory and loved ones, and the promise that beauty can happen even when things change.

When Maya moves to a different country, she feels lonely and lost. Everything-and everyone-seems so unfamiliar here, and she wonders if she will ever find a way to fit in. Longing for her home, she holds tightly to the special seeds her grandmother gave her, afraid to plant them. Can she take the risk that they – and she – might grow and bloom in this new place?

A wonderful, warmly-illustrated story that shows every cloud has a silver lining, and that any cloud can bring the promise of rain and blooming flowers, too.

Cover image and summary via Edelweiss