A Tempest of Tea by Hafsah Faizal

A Tempest of Tea
by Hafsah Faizal
Farrar, Straus and Giroux (BYR)/Macmillan

From Hafsah Faizal, New York Times bestselling author of We Hunt the Flame, comes the first book in a hotly anticipated fantasy duology about an orphan girl and her crew who get tangled in a heist with vampires, perfect for fans of Leigh Bardugo’s Six of Crows.On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by dark, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it—and she can’t do the job alone.

Calling upon a band of misfits, Arthie formulates a plan to infiltrate the dark and glittering vampire society known as the Athereum. But not every member of her crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

Cover image and summary via Edelweiss

Don’t Look Back : A Memoir of War, Survival, and My Journey from Sudan to America

Don’t Look Back : A Memoir of War, Survival, and My Journey from Sudan to America
by Achut Deng and Keely Hutton
Farrar, Straus and Giroux / Macmillan

A gripping and timely memoir from a former refugee, perfect for fans of National Book Award finalist When Stars Are Scattered and #1 New York Times Bestseller A Long Walk to Water

I want life.

For ten years, Achut Deng surrived at Kakuma Refugee Camp in Kenya after her family was ripped apart by the Second Sudanese Civil War. But Achut wanted to do more than merely survive. She wanted to live.

The twenty-two-year civil war essentially orphaned over 20,000 children and drove them from their villages in southern Sudan. Some of these children walked over a thousand miles, through dangerous war zones and across unforgiving deserts. They are often referred to as The Lost Boys. But there were girls, too. Achut Deng was one of them. This is her story.

It’s a story of unimaginable hardship and selfless bravery, of tormenting physical pain and amazing emotional resilience, of unbreakable bonds of friendship and family. It’s a story about what happens when your dream comes true, only to give way to a new nightmare.

It’s about how hard you will fight to save your own life.

Summary and cover image via Edelweiss

Posted in Books, Reviews

Review: The Awakening of Malcolm X

Shabazz, Ilyasah & Jackson, Tiffany D. The Awakening of Malcolm X, Jan. 2021. 336p. Macmillan/Farrar, Straus and Giroux, $17.99. (9780374313296). Grades 6-12.

Written by one of his daughters, Ilyasah Shabazz, and the author Tiffany D. Jackson, The Awakening of Malcolm X is a young adult fiction novel about the life of Malcolm X during his time in prison. In the 1940’s, a young Malcolm is sentenced to eight to ten years in prison after stealing a watch. In prison, he experiences firsthand the violence of the prison industrial complex. Readers follow Malcolm in the first-person in his early years as an incarcerated Black man, and on his journey of self-education and self-rediscovery despite these obstacles. 

This time in Malcolm’s life is made accessible to the young adult reader, with themes that are relevant to their lives including the question of identity, belonging, worth, and purpose. Shabazz depicts Malcolm’s distrust and anger and his jaded attitude toward all religions and his future at the start of the novel. Readers will relate to the conflicting societal messages Malcolm receives, and reflect on issues of race and inequity that continue to present day. As the story moves forward, Malcolm is transferred to another prison, where he is empowered and motivated to find his truth through books and self-reflection. The violent experiences in prison are not sugar coated: like the way prisoners are kept in solitary confinement for extended periods of time, prison guards using slurs and physical violence, and the description of the inhumane cells the prisoners stay in.

As the story is set in prison, most of the characters around Malcolm are prisoners as well, and are predominantly Black. His family is featured prominently in the story, with his siblings and parents interweaving in the narrative with flashbacks from his life as a child. It is the Black characters that have a positive effect on his life. There is a range of personalities that are well-developed and multi-dimensional, even when the characters that appear only for a short time. White characters are mostly authority figures, with some white prisoners who appear later in the book. Though many white characters are primarily depicted negatively, their representation is not overdone; instead, the descriptions of these characters is an accurate portrayal of how Malcolm may have experienced his interactions with whites throughout his time in prison. As the work seeks to accurately capture racism and Malcolm’s experiences, the n-word is used openly throughout the book. 

A significant part of Malcolm’s identity, and large part of his change seen in the novel, comes from his introduction to the religion of Islam and the Nation of Islam (NOI) in particular. Shabazz does not go into much detail about the tenets of the NOI; she just includes basic religious principles and beliefs that provide necessary context for the reader. The inclusion of religion, and Malcolm’s understanding of it, never becomes preachy. It serves only to bring to life Malcolm’s evolution, and the NOI’s role in that time of his life. The foreshadowing of possible conflict of the NOI in Malcolm’s life is also there, but no outright criticism. 

Overall, The Awakening of Malcolm X is an essential read for those looking to learn about Malcolm’s story and  the important voices of the Civil Rights Movement in an accessible way. Readers are provided with an inspirational yet truthful presentation of how circumstances, support, and self-motivation may push us out of feelings of darkness or being lost.